![]() Vector Crop Tool - Not confined to vector images, this can be used to crop and tidy up any image placed in your document. ![]() You’ll be creating eye-catching titles and headings in a flash. decorate, position, and transform is really simple to do. The ability to fine tune different typefaces i.e. Its purpose seems to be for titles and smaller bits of text that'll stand out more on the page. If you decide you want to add some texture or noise to a shape just click the Designer persona button and your tools suddenly change to design mode – very smart.Īrtistic Text - Living just below the Frame text tool ( what you’d use to place the bulk of your text with) is the Artistic text tool. ![]() The different coloured lines for snapping and placing work really well and it feels very intuitive to lay things out, and arrange. After watching a short video I’m drawing, snapping, colouring and designing smart looking layouts. The Shape drawing tool - There are quite a few shapes to choose from. ![]() Vector cropping and wrapping text is fluid and simple to achieve (Image credit: Ben Brady)Īfter setting up your doc initially the document/spread set-up, and general preferences, are all accessible in the context toolbar, when the move tool is selected, making it super easy to reach for, living just under the 'personas' buttons.Ī few highlights of the tools section, which has just about everything you’d need or want for work of this kind, include: It certainly reduces the time in having to open up other separate apps to make adjustments or edits, and needless to say is great for workflow. You can be working on an image in either Photo or Designer, then switch back to Publisher, all within the same interface. This ‘Studio Link’ means you can switch what in Affinity are known as ‘personas.’ It basically means you can change apps with the click of a button. This only applies if you have all three Affinity apps, however. The most interesting element and inclusion here is the top left hand corner where there are three Affinity app icons. You have your usual suspects to the left in terms of tools a context toolbar above that (changing in context to whatever tool you’ve selected) your main adjustments to the right of the page plus the ability to add, hide, move and place a host of other adjustment panels via the studio menu right at the top. Software for designers, made by designers, makes you feel you’re in good hands. The videos, as a side note, are mostly made by the Serif team themselves, who it should be said are nearly all designers themselves. The sheer number of Affinity video tutorials will promptly guide you. A clean and very navigable UI means that even if you are new to tools like this you’ll get to grips with Publisher in no time. so fast.Everything should look familiar here, and is easy to learn if you're a new-comer (Image credit: Ben Brady)Īnyone familiar with desktop publishing should feel right at home here. i do not know, its an act of not-messurable. because decompression cost some CPU and space is cheaper than CPU, like in stoneage of digital-picture-working? Today a on-the-fly-Decompress-JPG. 77% will shrunk the size A LOT and the quality will not never, never lost so much.Īnd why creates so extraorinary big files with "small jpegs" in styles, macros.? Keeping this PNG-resolution and create a JPG with eg. "Compress" a PNG from 300 to 144dpi will shrunk the size maybe half, but the result a lot. i cant see any difference.īut i see a difference by resolution-changes in the "original" before. become, lets say 80% "hard-compressed" jpeg. Cheap-Handy-camera and Profi-14-Terrabyte-camera. I cant see a difference between a 37 MB png and a 60% JPEG copy of it with eg. I guess, This does not bring ANY enhance, just makes the files (so non-enhanced but (end of day useless) big. so EXTREM up? Converting all pictures to 600dpi bitmap? 150 MB for 15 styles!!!! Why does AP such big files? I guess your used "backgrounds" are together just only 10-20MB.
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